Total Pageviews

Tuesday, 7 May 2013

Kodaline

Kodaline
 Amazon  have become something of a buzz band as of late; “All I Want” from their debut EP having featured in an episode of the hit television series Grey’s Anatomy and having been nominated for the BBC Sound of 2013 poll, following up on this with a number one hit single in the Irish charts. To say Kodaline are going places is something of an understatement, as they’ve got another bonafide hit on their hands with their forthcoming single “Love Like This”, and with Summer fast approaching, their timing is just right to drop this jaunty number.
“Love Like This” opens with bright, diet-folky mandolin not too far removed from what you’d expect from Mumford & Sons or The Lumineers, a harmonica and bluegrass-stomp kick-drum and bouncy bassline joining in before the track picks up true to the radio/stadium ready style as heard on previous singles. The hooks are just as memorable as previous efforts too, with a memorable chorus (“I know a love like this won’t last forever… but I don’t really mind at all”) delivered bitter-sweetly by Stephen Garrigan, whose voice wavers above the merriness throughout, clearly and passionately.
If the sound of laughter and studio banter that remained on the finished product are anything to go by, the track was as fun to record as I imagine will be for the average listener and fan to listen to.
My main grippes with the track are that despite the fact that it’s wholesome and seems to come from a genuine place in the hearts of its creators, it lacks originality. Right from the opening mandolin, one can tell just where the track is headed and what the chorus will sound like. Catchy hooks are not by any means a bad thing, but sometimes they’re present at a loss of authenticity. This, unfortunately, is no exception.The Tube

Editors

Editors

Amazon 'A Ton of Love' is released on 7" on June 24, backed with 'The Sting'. The Weight of Your Love via iTunes.

Recorded at Nashville's Blackbird Studio and produced by Jacquire King (Tom Waits, Kings of Leon), The Weight of Your Love is released by Play It Again Sam on July 1. Clint Mansell is also credited with production duties on 'Nothing'.

The Weight of Your Love is the group's first album featuring new members Justin Lockey and Elliott Williams, and the first to be recorded without Editors co-founder and former lead guitarist Chris Urbanowicz, who left the band last year.

Editors will also appear at festivals including Glastonbury, T in the Park and Reading and Leeds this summer


 the tube


Monday, 6 May 2013

Two Door Cinema Club

 Amazon at their most ominous, which is admittedly still pretty peppy. It’s introspective, somber and a certain departure from the rest of the album. Lastly, the ethereal title track banishes the navel-gazing anxiety, closing the record on a bright and hopeful note: “the beacon is calling me / the light that never dies / reflections thrown above the sea / cast shadows in the sky.”
Two Door Cinema Club were the awkward little pop band that could; and while they’ve continued along the same path that brought them success, the trio has narrowed their scope rather than expanded it. Trimble set out to write an album that was both optimistic and deeply emotional — and in this regard, Beacon is a success. But Two Door Cinema Club traded creativity for sentimentality, and the result is tight, polished and formulaic. Over-reliant on awkward, lovelorn lyrics, Beacon is definitely relatable, but it proves something every teenager eventually learns: angst can only get you so far. 

WE ARE THE OCEAN


WE ARE THE OCEAN

 “Machine” is another driving rock anthem from We Are The Ocean. Fitting the band’s standard song structure, the track sways from quiet to loud on hairpin turns, keeping you on the edge of your feet throughout. If it’s possible for listening to a single song to be exhilarating, this is it. You can view the video below.
Maybe Today, Maybe Tomorrow is available now wherever music is sold. Even if “Machine” doesn’t knock you off your feet I cannot recommend spinning the full album enough. These guys have real talent. Don’t let that go unnoticed.

Friday, 3 May 2013

Miles Kane

Miles Kane
 going back to his roots, and combines performance with documentary footage to create a very atmospheric, beautifully shot celebration of Liverpool and its people. Dan and his small crew spent three days shooting around the city and the result is a joyous document of Liverpool today – which is intercut with footage of Miles Kane in some of its finest buildings, playing with his band and then dovetailing with the documentary footage in one hell of a night on the town. The Don’t Forget Who You Are has the atmosphere and uplifting quality of a classic Britpop video – and as Dan points out below, a brilliant display of naturalistic cinematography by DoP Ben Fordesman, ably assisted by the redoubtable Aubrey Woodiwiss’s black and white grade

Wednesday, 1 May 2013

Stooshe

Stooshe
"Slip" sums up everything we have come to love so much from Stooshe over the past 18 months. It's fun, soulful, deliciously pop and it perfectly shows off their big and bold personalities. Featuring brassy organs and a perky horn section, the retro-styled song is a potent blend of pop and R&B with a sassy '60s girl pop twist that helps to further define their signature sound.
What I particularly love about Stooshe (and this new single) is that the group stays musically miles away from many of the girl band clichés and serves up a welcome antidote to the straight up, four-on-the-floor dance-pop stompers that rule the charts on both sides of the Atlantic get on to this 
Previous Page

Biffy Clyro

Biffy Clyro 
,Amazon  is no longer playing second fiddle to Muse, they fill the O2 with steam flumes, snowstorms and fire columns all of their own. The show comes ahead of their summer festival headline slots and on the back of their first No 1 album, Opposites: a darkside/lightside double setting euphoria against alienation in the vein of the Stranglers' Black and White, Nick Cave's Abattoir Blues/The Lyre of Orpheus, or anyone else who has ever had a Bud Light too many and almost broken up while touring California. The fact that they've got here after six solid albums, but are still most famous as the band who let X Factor's Matt Cardle belittle and retitle their biggest tune, Many of Horror, is evidence that Team Biffy remain a cult, while transcending the narrowness cult status implies.
If anything, Biffy have benefited from their brush with Simon Cowell. The Opposites material that makes up half of tonight's two-hour set is a welcome injection of artful accessibility into an unwieldy catalogue, already leaning towards grandstanding rock choruses by 2007's Puzzle. It borrows the slick crescendos and stadium affectations of 80s-hair metal, but without the lascivious aesthetic of the spandex sex pest. At times it goes further: Black Chandelier is premium highway-rock balladry, the title track is virtually REM in its student-friendliness, and Biblical exhibits the catchy pop that frontman Simon Neil usually saves for his disco side-project Marmaduke Duke, creating something that's as much Whitesnake as it is, ahem, Noah and the Whale.Join This