Mars’ solo debut is geared for maximum appeal Every day, life presents us with puzzling posers. Why did the Crazy Frog have a penis? It makes no sense. Others are far easier to tackle. Recently, the music press asked, for roughly the nth time: is rock dead? The foundation for said inquisition: rock tracks accounted for only three of the UK's 100 top-selling singles of 2010. And the answer is, of course, no. But it's the success of jack-of-all-trades artists like Bruno Mars (pop, soul, reggae, RnB – he has a crack at them all), whose two British singles to date have both topped the chart, that threatens rock's influence on this nation's impressionable youths. Which is, frankly, a disaster in waiting – this is some of the most uninspired music one might stumble across in 2011. Doo-Wops & Hooligans rather lays its cards on the table with its title alone – doo-wop suggests simplicity and accessibility, but hooligans, well, they can be trouble. Appropriately, this is immediate fare, every little motif and melody geared for maximum commercial appeal (i.e. the record lacks any individuality or personality whatsoever, unfolding as a mush of well-known artists past and present).
Music Website
Monday, 19 December 2011
Bruno Mars
Mars’ solo debut is geared for maximum appeal Every day, life presents us with puzzling posers. Why did the Crazy Frog have a penis? It makes no sense. Others are far easier to tackle. Recently, the music press asked, for roughly the nth time: is rock dead? The foundation for said inquisition: rock tracks accounted for only three of the UK's 100 top-selling singles of 2010. And the answer is, of course, no. But it's the success of jack-of-all-trades artists like Bruno Mars (pop, soul, reggae, RnB – he has a crack at them all), whose two British singles to date have both topped the chart, that threatens rock's influence on this nation's impressionable youths. Which is, frankly, a disaster in waiting – this is some of the most uninspired music one might stumble across in 2011. Doo-Wops & Hooligans rather lays its cards on the table with its title alone – doo-wop suggests simplicity and accessibility, but hooligans, well, they can be trouble. Appropriately, this is immediate fare, every little motif and melody geared for maximum commercial appeal (i.e. the record lacks any individuality or personality whatsoever, unfolding as a mush of well-known artists past and present).
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